Bach's Brandenburg 5
Praised as an “unconventionally playful” performer by the press and listed among Austria's thirty-five most outstanding researchers aged under thirty-five by the Austrian Science Fund in 2013, Mario Aschauer works as conductor, harpsichordist, and musicologist at the interface of music scholarship and performance.
His book on German Keyboard Treatises in the Second Half of the Eighteenth Century (Kassel: Bärenreiter, 2011) is considered a standard reference in the field. Further projects in early keyboard studies include the development of historical-style keyboard fingerings and notes on performance practice for new editions of prominent works by Beethoven and Schubert as well as a new edition of Mozart's keyboard sonatas published by Bärenreiter.
As a performer on historical keyboard instruments, Mario specializes in Austrian repertoire from the Baroque and Classical periods. He is member of the Calamus-Consort, which won first prize at the International H.I.F. Biber Competition in 2009 and since then has been invited to numerous renowned early music festivals such as Resonanzen Wien, Bach Fest Leipzig (Germany), and Itinéraire Baroque en Périgord Vert (France). Their CD “Un dolce affanno” (Passacaille, 2012) features highlights from operas performed at the Vienna court around 1700 with chalumeau, clarinet, and harpsichord as solo instruments. Mario’s current recording projects include a selection of keyboard works by Mozart and Beethoven contemporary Emanuel Aloys Förster.
Having earned a degree in conducting from the Linz Bruckner Conservatory at the young age of seventeen, Mario had already conducted major works from the choral and symphonic canon before he graduated from high school. With his period instrument group Ensemble NovAntique Linz, Mario has performed late eighteenth-century repertoire beyond the standard including large-scale sacred and symphonic works and oratorios by composers such as Florian Leopold Gassmann, Joseph Martin Kraus, Antonio Salieri and Georg Christoph Wagenseil. In addition, Mario also collaborates with early music ensembles such as Progetto Semiserio Vienna, Harmony of Nations Baroque Orchestra, Ars Antiqua Austria, and L'Orfeo Baroque Orchestra, Ars Lyrica Houston, Houston Bach Society, and Mercury Houston.
Mario has edited Schubert's opera fragment “Adrast”, D. 137, for the New Schubert Edition and gave it its world premiere in Vienna in 2010. The recording of the concert was broadcast on BBC Radio and won the “Pasticcio Prize” from the Austrian Broadcasting Corporation (ORF). Mario's current research for a new book on Anton Bruckner's creative process was selected for prestigious fellowships from the Austrian Science Fund and the Max Kade Foundation, Inc. (New York). Mario is member of the advisory boards of the New Bruckner Complete Edition (Vienna) and the Anton Bruckner Institut Linz.
Mario Aschauer is Assistant Professor of Music at the Sam Houston State University School of Music (Huntsville, TX), where he also directs the Center for Early Music Research and Performance (CEMRAP). Furthermore, he teaches harpsichord and basso continuo at the Rice University Shepherd School of Music (Houston, Texas). Mario degrees in conducting from the Linz Bruckner Conservatory, in harpsichord performance from the University of Music and Performing Arts (Vienna), and a PhD in musicology from the University of Vienna. He has since returned to teach at these institutions. Before his move the the United States Mario held a position as researcher at the Austrian Academy of Sciences (Vienna). In 2012/13 he was a postdoctoral fellow and visiting guest lecturer at the Yale School of Music.