The Mercury-Juilliard Fellowship

A collaboration between The Juilliard School of Music Historical Performance Program and Mercury

We are proud to announce this new collaboration between The Juilliard School of Music Historical Performance Program and Mercury.

This initiative encourages the development of talented young instrumentalists and fosters a strong relationship between two major players in America's period instrument performance scene. 

Each spring, Mercury holds auditions at Juilliard, selecting up to four post-graduate students to participate in a one-year fellowship with the ensemble.  Fellows will perform with Mercury during the season, gaining valuable performance experience while introducing Houston to the next generation of great period performance musicians. 

 

2017-2018 Mercury-Juilliard Fellows

 

Augusta McKay Lodge (Violin)

Violinist Augusta McKay Lodge has been named a 2016 English Concert American Fellow, and a 2017 Mercury Juilliard Fellow. She performs regularly with Apollo's Fire, the Cleveland Baroque Orchestra, and will be joining Les Arts Florissants on their 2018 season. She has performed in venues such as Kennedy Center (Washington, D.C.), Alice Tully Hall (Lincoln Center, NY), The Metropolitan Museum of Art (NY), and Severance Hall (Cleveland).

Past positions include serving as assistant concertmaster with the Nederlands Studenten Orkest, principal second violin of the Sweelinck Baroque Orchestra (Amsterdam), and concertmaster of Juilliard415 under the leadership of William Christie, Masaaki Suzuki, Ton Koopman, Kristian Bezuidenhout, and Nicholas McGegan.
Among her numerous honors are winner of Juilliard’s Historical Performance Concerto Competition, and first prize in the 2014 Indianapolis Baroque Orchestra Concerto Competition.

Augusta McKay Lodge earned a Bachelor of Music from Oberlin Conservatory of Music and a Masters of Music from Indiana University Jacobs School, and is a graduate of the Juilliard School in historical performance under the tutelage of Cynthia Roberts, Monica Huggett, Elizabeth Blumenstock, and Robert Mealy. Augusta plays on a Jason Viseltear baroque violin from 2014.

 

 
 

Keiran Campbell (Cello)

Cellist Keiran Campbell received his undergraduate degree from Juilliard with Darrett Adkins and is pursuing his masters in Historical Performance at Juilliard with Phoebe Carrai and Timothy Eddy.

While at Juilliard, he has played under conductors including William Christie, Richard Egarr, and Masaaki Suzuki. Keiran has played in masterclasses for Zuill Bailey, Jean-Efflam Bavouzet, Harry Bicket, Christophe Coin, Richard Egarr, Pablo Heras-Casado, Bonnie Hampton, Frans Helmerson, Jordi Savall, Brinton Smith, and Hopkinson Smith.
He has attended the Berwick Festival, the Perlman Chamber Workshop, Sarasota Music Festival, and Kneisel Hall.

He has performed with members of the Cleveland and Juilliard quartets, studied with David Geringas at the Accademia Chigiana, and has often participated in IMS at Prussia Cove, working with Steven Isserlis and Ralph Kirshbaum. Keiran is both an English Concert and Mercury-Juilliard Fellow for 2017-18.

 

2016-2017 Mercury-Juilliard Fellows

 

Edson Scheid (Violin)

Edson has been praised for his “polished playing” (The Strad), and for being "both musically and technically one of the most assured and accomplished of today’s younger period violinists" (The Boston Musical Intelligencer). 

A native of Brazil, Edson has performed with such ensembles as Les Arts Florissants, Il Pomo d’Oro, the Trinity Baroque Orchestra, Juilliard415, the Orchestra of St. Luke’s, the Aston Magna Music Festival, Orchester Wiener Akademie, and the Aspen Festival Orchestra.  He is the two-time winner of the Historical Performance Concerto Competition at The Juilliard School, and recipient of the Broadus Erle Prize at the Yale School of Music. 

Edson’s many performances of Paganini’s 24 Caprices, on both period and modern violins, have been received with enthusiasm around the world.  He has performed the Caprices in cities in Europe, North and South America, and Asia, and has been featured live in-studio on In Tune from BBC Radio 3. He has recorded the Caprices on baroque violin under the Naxos label. 

Edson holds degrees from the Universität Mozarteum Salzburg, the Yale School of Music and The Juilliard School, where he was the proud recipient of a Kovner Fellowship.

 
 

Nayeon Kim (Violin)

Nayeon's career focus on music from the Renaissance through the early Romantic era with period instruments.  She pursued her second Master of Music degree in the Historical Performance program at The Juilliard School studying under Monica Huggett and Cynthia Robert and graduated recently. 

Originally from South Korea, Nayeon has received an Artist Diploma as well as a Master of Music degree from the Yale School of Music under the tutelage of Hyo Kang.  While there, she was a graduate fellow for the Yale Baroque Ensemble, performing a wide variety of repertoire from early 17th century Baroque opera to contemporary chamber music in collaboration with New Music New Haven series. 

Shortly after graduating with her bachelor's degree with honors from Seoul National University in South Korea, Nayeon won a position with the Bucheon Philharmonic Orchestra in Korea, where she remained for five years before coming to the United States. 

Nayeon has participated in many festivals including Dans les Jardins de William Christie, the Berkeley and Boston Early Music Festivals, the Oregon Bach Festival, Leipzig Bachfest, and the Norfork Chamber Music Festival.  She has performed alongside such distinguished musicians as William Christie, Jordi Savall, Masaaki Suzuki, Robert Levin, Nicholas McGegan, Richard Egarr, Monica Huggett, Rachel Podger, and Robert Mealy. 

 
 

Toma Iliev (Viola)

Currently based in New York City, Toma is a well-rounded musician focused on historical performance practice.  He has performed at prominent concert venues in New York, including Carnegie Hall, Alice Tully Hall, the Peter J. Sharp Theater, Merkin Hall, the Kosciuszko Foundation, and in venues across North America and Europe. 

Recent appearances include performances at the Oregon Bach Festival 2016, the Berkeley Festival and Exhibition 2016, the Valley of the Moon Music Festival, American Bach Soloists Festival and Academy 2016, Dans les Jardins de William Christie 2016, as well as broadcasts on Medici.tv, BBC3 radio, KLCC and the CBC “Rush Hour” series. 

Toma holds the Christa Bach-Marschall Foundation Prize from the International Bach Competition in Leipzig 2014, and was a competition winner at the Indianapolis Baroque Orchestra Concerto Competition.  Between 2014 and 2016 he appeared regularly with Juilliard’s period ensemble, Juilliard415 at venues in North America and Europe, including Alice Tully Hall, Jordan Hall, St. John’s Smith Square, and others. 

A native of Sofia, Bulgaria, Toma holds a Master of Music degree from Indiana University and a Graduate Diploma in Historical Performance from The Juilliard School.  In the 2016-2017 season he will be performing regularly with the Portland Baroque Orchestra.

 
 

 

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